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Great
| 16 |
Geigen Diapason |
| 8 |
Open Diapason |
| 8 |
Geigen Diapason (ext.) |
| 8 |
Chimney Flute |
| 8 |
Harmonic Flute |
| 4 |
Principal |
| 4 |
Spire Flute |
| 2 2/3 |
Twelfth |
| 2 |
Fifteenth |
| 1 3/5 |
Seventeenth |
| 1 1/3 |
Fourniture IV |
| 1/2 |
Scharff III |
| 16 |
Double Trumpet |
| 8 |
Trumpet |
|
Tremulant |
| 8 |
Trompette en chamade |
| 8 |
Tuba 8' (Ch.) |
|
* Chimes |
|
MIDI |
* From Previous Instrument
Swell
| 16 |
Lieblich Gedeckt |
| 8 |
Open Diapason |
| 8 |
Stopped Diapason |
| 8 |
Salicional |
| 8 |
Voix Celeste |
| 4 |
Principal |
| 4 |
Nachthorn |
| 2 2/3 |
Nasard |
| 2 |
Waldflote |
| 1 3/5 |
Tierce |
| 2 |
Plein Jeu IV-VI |
| 16 |
Basson |
| 8 |
Trumpet |
| 8 |
Oboe |
| 4 |
Clarion |
| 8 |
Vox Humana |
|
Tremulant |
| 8 |
Trompette en Chamade (Gt.) |
| 8 |
Tuba (Ch.) |
|
|
MIDI |
Rückpositiv
| 8 |
Principal |
| 8 |
Bourdon |
| 4 |
Octave |
| 4 |
Koppelflote |
| 2 |
Octave |
| 1 1/3 |
Quintflote |
| 2 2/3 |
Cornet II |
| 1 |
Mixture IV |
| 8 |
Cromorne |
|
Tremulant |
| 8 |
Trompette en Chamade (Gt.) |
Choir
| 8 |
Gemshorn |
| 8 |
Gemshorn Celeste |
| 8 |
Hohlflote |
| 8 |
Dulciana |
| 8 |
Unda Maris |
| 4 |
Principal |
| 4 |
Rohrfote |
| 2 |
Octavin |
| 2 |
Mixture IV |
| 8 |
Cornon di Bassetto |
| 8 |
English Horn |
|
Tremulant |
| 8 |
Tuba |
|
Celesta |
|
Zimbelstern |
|
MIDI |
Pedal
| 32 |
Bourdon (digital) |
| 16 |
Open Diapason |
| 16 |
Geigen Diapason (Gt.) |
| 16 |
Subbass |
| 16 |
Lieblich Gedeckt (Sw.) |
| 8 |
Principal |
| 8 |
Flauto Dolce |
| 8 |
Lieblich Gedeckt (Sw.) |
| 5 1/3 |
Quinte |
| 4 |
Fifteenth |
| 4 |
Flute |
| 2 2/3 |
Mixture IV |
| 32 |
Contra Trombone (ext.) |
| 16 |
Trombone |
| 16 |
Double Trumpet (Gt.) |
| 16 |
Basson (Sw.) |
| 8 |
Trumpet |
| 8 |
Trumpet (Gt.) |
| 4 |
Shalmey |
| 8 |
Trompette en Chamade (Gt.) |
| 8 |
Tuba (Ch.) |
| Chimes (Gt.) |
| MIDI |
Chancel Great
| 8 |
Prestant |
| 8 |
Spitzflote |
| 4 |
Principal |
| 4 |
Waldflote |
| 2 |
Fifteenth |
| 2 |
Mixture IV |
| 8 |
Clarinet (Sw.) |
Chancel Swell
| 8 |
Gedeckt |
| 8 |
Viole |
| 8 |
Viole Celeste |
| 4 |
Spitzprincipal |
| 4 |
Traversflote |
| 2 |
Doublette |
| 16 |
Bass Clarinet |
| 8 |
Hautbois |
|
Tremulant |
Chancel Pedal
| 32 |
Resultant |
| 16 |
Bourdon |
| 8 |
Principal Bass |
| 8 |
Bourdon (ext.) |
| 4 |
Choral Bass (ext.) |
| 16 |
Bass Clarinet (Sw.) |
Design Details
Electropneumatic slider windchests (Blackinton style)
Three-manual drawknob console in gallery:
•
99 levels of memory
•
Manual naturals of bone; sharps of rosewood
•
Manual stop controls of rosewood with inset faces
•
Pedal naturals of maple; sharps of rosewood
•
Complete MIDI interface with record/playback sequencer
Existing three-manual stopkey console (rebuilt) in chancel
Facades of brushed zinc and tin
Principals and mixtures of Great, Rückpositiv, and Chancel Great - 85% tin
Wind pressures:
•
2.5" Chancel Great, Rückpositiv
•
3.5" Gallery Great, Chancel Swell, Chancel Pedal
•
4" Gallery Swell, Choir, and Pedal
•
6" Contra Trombone 32'
•
5" Trombone 16'
•
10" Trompette en chamade 8'
•
16" Tuba 8'
Total Design, Scaling and Finishing
Burton K. Tidwell
Tonal Finishing
R.L. Hulsey
Design and Layout
Eric Gastier, R.A.
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The 100 Rank Schantz Organ
Fairmount's pipe organ was built by the Schantz Organ Company of Orrville, Ohio and installed during the Fall of 1996. This magnificent instrument consists of 100 ranks of pipes (almost 6,000 in all) distributed over eight divisions (five in the gallery and three in the chancel). There are two complete three-manual consoles, both of which are capable of playing the entire instrument. The main organ of 82 ranks is placed in the rear gallery of the nave within the casework of the original Holtkamp organ. It is a new English drawknob console with bone naturals and rosewood sharps. From the opposite end of the building, a chancel organ of 18 ranks serves to accompany choirs and smaller services while musically augmenting the larger gallery organ. It is the movable stop-key console retained from the previous instrument. The 100 Rank Schantz Organ utilizes a number of stops retained from the 1942 Holtkamp organ, including the 16' Posaune, Celesta, and Chimes. In addition, there are many unusual stops, most notably a brilliant Trumpet En Chamade (mounted horizontally), an English Style Solo Tuba and an earthshaking 32' Trombone. The instrument's tonal design and execution was under the direction of Burton K. Tidwell. Voicing and assistance with the tonal finishing was overseen by R. L. Hulsey. A dedication service was held on Sunday, November 3, 1996 at 4:00 pm EST.

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